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BUSAN, South Korea -- Ripping through Busan and Seoul this month is the long-awaited Los Angeles punk/noise-rock duo No Age. With an immense international following—and toting enough DIY indie cred to make the FBI suspicious—No Age have made themselves a dynamic household name amongst the muddy underground music scene. Their subtle but loud, shoegazey style brings to mind a wide range of influences, from legendary bands like Sonic Youth, Hüsker Dü and Dinosaur Jr. to more recent groups like Lightning Bolt, Atlas Sound and Japandroids.

SEOUL, South Korea  -- There‘s been a lot of talk of Swedish post-rock ensemble Pg.Lost, touring Korea this year on an unprecedented six-city tour. Fans of post-rock are bracing themselves for the biggest Korean post-rock happening since Mogwai filled Seoul’s AX Hall back in November.

BUSAN, South Korea, Dan Deacon is capping off his tour of Asia with a visit to Seoul and Busan this weekend. Deacon studied at the conservatory of music at SUNY Purchase, and later went on to graduate with a degree in electro-acoustic and computer music composition.

BUSAN, South Korea -- Many of us have a vivid picture of the 1960's and early '70s which involves rainbows, Woodstock, topless hippies and of course - mountains of drugs. All of which were fueled by the psychedelic sounds of Hendrix, the Doors, Led Zeppelin and the like - all of whom have become household names that most of us know and love. This was a counterculture movement that defined a period of history and has, through its pervasive and enduring imprint on the public conscious, become almost cliche.

BUSAN, South Korea -- Described as a ‘hookup between artists and musicians” Super Sketch is and exciting concept that brings together art and music through the prism of a special concept or theme. Busan partygoers can expect an extrasensory audio visual experience.

BUSAN, South Korea -- Bouncy, streaky digi-pop that makes your brain sizzle. Created almost solely on an electronic relic: a Commodore Amiga (one of the first pc computers sold to the public), Max Tundra’s music is a conundrum of sounds and sensory stimulation. As Pitchfork magazine says of his second album Mastered by Guy at The Exchange (MBGE): “So many synths, beeps, beats, glitches, horns, hooks, voices. It shouldn't work. But it does. Perfectly.”